Welcome to module 8
Learning Objectives
Overview
Module 8 will introduce students to the concept of preventive conservation.
By the end of this module students will be able to:
- Describe the difference between preservation and restoration
- List at least three agents of deterioration
- Describe at least one ethical tenet of the field of conservation
lecture THEMES
Basic concepts of preventive conservation – cultural collections
Preventive conservation, or preventive care, are all those steps taken by collections care professionals to slow the natural degradation of collections in our care. Angela Linn introduces and explains the effects of the agents of deterioration in this introductory video. (21:51)
caring for film collections
Motion picture film requires specialized care and storage in order to slow deterioration. In this video, Angela Schmidt explains how films are handled and brought into collections at the Alaska Film Archives at UAF, and demonstrates measures that are taken to ensure that films are kept safe, cool and dry. (9:51)
natural history collection preparation and preservation
Jack Withrow, UAMN Ornithology Collection Manager, focuses on the preparation of bird specimens for long-term curation. (12.22)
Herbarium mounts and Pollutants in museum collections
Steffi Ickert-Bond introduces the life of plant specimens from the field to the cabinet and focusses on different mounting techniques and archival materials used in the herbarium, and touches briefly on some commonly encountered contaminants and issues with improper storage and handling of specimens. (13.17)
vocabulary
Preventive conservation is a hands-on form of museum work and has it’s own special shared terminology. Learn these words to better understand the tasks and special concerns in this area.
- Conservation
- Restoration
- Reversibility
- Agents of Deterioration
- Relative Humidity
- Integrated Pest Management System
- Preservation
- Condition Report
- Archival quality
- Preventive Care
- Mercuric chloride
- Vinegar Syndrome
- Sticky Shed Syndrome
Activities / Assignments
Reading / Video content
Required:
VIDEO
Preventive Conservation – Guidelines for Collections (1:34)
IMLS Connecting to Collections – A Call to Action (4:22)
CCI – Monitoring Your Environment (5:33)
Sustainable Management of Collection Environments – IPI’s Perspective (3:13)
MOMA’s Race to Preserve Classic Films’ Sights and Sounds (5:03)
The Living Archive – Preservation Challenge (6:43)
Preserving Old Audio and Video Formats (8:09)
READING
- Museum Registration Methods 5th Edition “Chapter 5G: Preventive Care” (2010)
- “A Preventive Conservation Approach to the Storage of Collections” – C. Rose and C. Hawks (1995)
- “Guidelines for the Care of Natural History Collections” – Society for the Preservation of Natural History Collections (SPNHC)
- “The Ethics of Doing Nothing” J. Ashley-Smith (2018)
- “Madness to not stay safe around Mercury” – V. Purewal (2013)
- Why Preserve Film? (Skip preface and read Pages 1-4):
- Understanding Film and How It Decays (pages 8-10, 13-18)
- Storage (pages 59-64)
- Suitability of Storage Environments for Film
- AIC Preventive Care – Wiki
- AIC Code of Ethics
Recommended:
- Agents of Deterioration
- Storage Techniques for Art, Science, and History (STASH)
- “Mitigation of Pollutants in the Museum Environment” – P. Hatchfield (2002)
- “Mercury Exposure in university herbarium collections” – W. B. Webber et al. (2010)
For Exploration:
- American Institute for Conservation – What is Conservation?
- Condition Reporting guide by Alaska State Museum Conservator, Ellen Carrlee
- Library of Congress: Care, Handling, and Storage of Motion Picture Film
- FilmCare.org
- The Association of Moving Image Archivists
- Canadian Conservation Institute – Caring for audio, video, and data recording media
Quiz
Log into our course shell in Canvas and go to ‘Quizzes’ on the left side menu.
Take ‘Quiz 8’: Preventive Conservation. You will have up to three attempts to match the vocabulary and definitions. Click over to Canvas to take quiz 8.
Meet Up
Time to get together! This is optional but highly encouraged. We will meet via Zoom at 12:30 pm (AKST) on Friday March 10. The link to the session can be found in this Google Document (you must be part of the class to view the document). If you are unable to join the meeting will be recorded and you will be expected to review the recording prior to writing your discussion post (see below).
Assignment – Discussion
Consider the different ways you might stabilize and preserve a pair of objects – a Russian muzzleloader found in Southeast Alaska vs. a lynx donated by a local trapper; a historic film on 8mm vs. a group of stone tools found along a riverbank in the Brooks Range; or a fireweed plant collected in a Southcentral field vs. a northern pike collected in a local lake. Think about which various agents of deterioration might affect them most dramatically, and what steps you can take to protect them. Find resources online that might provide guidance.
- Create a new post on this website and answer this question based on your personal experience. Your post should be roughly 500 words and should include an image. Think about reading and video material from this week and personal experiences you have had to help illustrate your ideas.
- At the end of your post, include a question for your fellow students to answer.
- Respond to each others’ posts (you will need to respond to/comment on at least two other posts).
- Select “8. Preventive Conservation” from the list of discussion categories on the right hand side of your posting window on the dashboard.
Looking Forward
Learning Objectives
Overview
Module 8 will introduce students to the concept of preventive conservation.
By the end of this module students will be able to:
- Describe the difference between preservation and restoration
- List at least three agents of deterioration
- Describe at least one ethical tenet of the field of conservation
lecture THEMES
Basic concepts of preventive conservation – cultural collections
Preventive conservation, or preventive care, are all those steps taken by collections care professionals to slow the natural degradation of collections in our care. Angela Linn introduces and explains the effects of the agents of deterioration in this introductory video. (21:51)
caring for film collections
Motion picture film requires specialized care and storage in order to slow deterioration. In this video, Angela Schmidt explains how films are handled and brought into collections at the Alaska Film Archives at UAF, and demonstrates measures that are taken to ensure that films are kept safe, cool and dry. (9:51)
natural history collection preparation and preservation
Jack Withrow, UAMN Ornithology Collection Manager, focuses on the preparation of bird specimens for long-term curation. (12.22)
Herbarium mounts and Pollutants in museum collections
Steffi Ickert-Bond introduces the life of plant specimens from the field to the cabinet and focusses on different mounting techniques and archival materials used in the herbarium, and touches briefly on some commonly encountered contaminants and issues with improper storage and handling of specimens. (13.17)
vocabulary
Preventive conservation is a hands-on form of museum work and has it’s own special shared terminology. Learn these words to better understand the tasks and special concerns in this area.
- Conservation
- Restoration
- Reversibility
- Agents of Deterioration
- Relative Humidity
- Integrated Pest Management System
- Preservation
- Condition Report
- Archival quality
- Preventive Care
- Mercuric chloride
- Vinegar Syndrome
- Sticky Shed Syndrome
Activities / Assignments
Reading / Video content
Required:
VIDEO
Preventive Conservation – Guidelines for Collections (1:34)
IMLS Connecting to Collections – A Call to Action (4:22)
CCI – Monitoring Your Environment (5:33)
Sustainable Management of Collection Environments – IPI’s Perspective (3:13)
MOMA’s Race to Preserve Classic Films’ Sights and Sounds (5:03)
The Living Archive – Preservation Challenge (6:43)
Preserving Old Audio and Video Formats (8:09)
READING
- Museum Registration Methods 5th Edition “Chapter 5G: Preventive Care” (2010)
- “A Preventive Conservation Approach to the Storage of Collections” – C. Rose and C. Hawks (1995)
- “Guidelines for the Care of Natural History Collections” – Society for the Preservation of Natural History Collections (SPNHC)
- “The Ethics of Doing Nothing” J. Ashley-Smith (2018)
- “Madness to not stay safe around Mercury” – V. Purewal (2013)
- Why Preserve Film? (Skip preface and read Pages 1-4):
- Understanding Film and How It Decays (pages 8-10, 13-18)
- Storage (pages 59-64)
- Suitability of Storage Environments for Film
- AIC Preventive Care – Wiki
- AIC Code of Ethics
Recommended:
- Agents of Deterioration
- Storage Techniques for Art, Science, and History (STASH)
- “Mitigation of Pollutants in the Museum Environment” – P. Hatchfield (2002)
- “Mercury Exposure in university herbarium collections” – W. B. Webber et al. (2010)
For Exploration:
- American Institute for Conservation – What is Conservation?
- Condition Reporting guide by Alaska State Museum Conservator, Ellen Carrlee
- Library of Congress: Care, Handling, and Storage of Motion Picture Film
- FilmCare.org
- The Association of Moving Image Archivists
- Canadian Conservation Institute – Caring for audio, video, and data recording media
Quiz
Log into our course shell in Canvas and go to ‘Quizzes’ on the left side menu.
Take ‘Quiz 8’: Preventive Conservation. You will have up to three attempts to match the vocabulary and definitions. Click over to Canvas to take quiz 8.
Meet Up
Time to get together! This is optional but highly encouraged. We will meet via Zoom at 12:30 pm (AKST) on Friday March 10. The link to the session can be found in this Google Document (you must be part of the class to view the document). If you are unable to join the meeting will be recorded and you will be expected to review the recording prior to writing your discussion post (see below).
Assignment – Discussion
Consider the different ways you might stabilize and preserve a pair of objects – a Russian muzzleloader found in Southeast Alaska vs. a lynx donated by a local trapper; a historic film on 8mm vs. a group of stone tools found along a riverbank in the Brooks Range; or a fireweed plant collected in a Southcentral field vs. a northern pike collected in a local lake. Think about which various agents of deterioration might affect them most dramatically, and what steps you can take to protect them. Find resources online that might provide guidance.
- Create a new post on this website and answer this question based on your personal experience. Your post should be roughly 500 words and should include an image. Think about reading and video material from this week and personal experiences you have had to help illustrate your ideas.
- At the end of your post, include a question for your fellow students to answer.
- Respond to each others’ posts (you will need to respond to/comment on at least two other posts).
- Select “8. Preventive Conservation” from the list of discussion categories on the right hand side of your posting window on the dashboard.
Looking Forward
Basic concepts of preventive conservation – cultural collections
Preventive conservation, or preventive care, are all those steps taken by collections care professionals to slow the natural degradation of collections in our care. Angela Linn introduces and explains the effects of the agents of deterioration in this introductory video. (21:51)
caring for film collections
Motion picture film requires specialized care and storage in order to slow deterioration. In this video, Angela Schmidt explains how films are handled and brought into collections at the Alaska Film Archives at UAF, and demonstrates measures that are taken to ensure that films are kept safe, cool and dry. (9:51)
natural history collection preparation and preservation
Jack Withrow, UAMN Ornithology Collection Manager, focuses on the preparation of bird specimens for long-term curation. (12.22)
Herbarium mounts and Pollutants in museum collections
Steffi Ickert-Bond introduces the life of plant specimens from the field to the cabinet and focusses on different mounting techniques and archival materials used in the herbarium, and touches briefly on some commonly encountered contaminants and issues with improper storage and handling of specimens. (13.17)
vocabulary
Preventive conservation is a hands-on form of museum work and has it’s own special shared terminology. Learn these words to better understand the tasks and special concerns in this area.
- Conservation
- Restoration
- Reversibility
- Agents of Deterioration
- Relative Humidity
- Integrated Pest Management System
- Preservation
- Condition Report
- Archival quality
- Preventive Care
- Mercuric chloride
- Vinegar Syndrome
- Sticky Shed Syndrome
Activities / Assignments
Reading / Video content
Required:
VIDEO
Preventive Conservation – Guidelines for Collections (1:34)
IMLS Connecting to Collections – A Call to Action (4:22)
CCI – Monitoring Your Environment (5:33)
Sustainable Management of Collection Environments – IPI’s Perspective (3:13)
MOMA’s Race to Preserve Classic Films’ Sights and Sounds (5:03)
The Living Archive – Preservation Challenge (6:43)
Preserving Old Audio and Video Formats (8:09)
READING
- Museum Registration Methods 5th Edition “Chapter 5G: Preventive Care” (2010)
- “A Preventive Conservation Approach to the Storage of Collections” – C. Rose and C. Hawks (1995)
- “Guidelines for the Care of Natural History Collections” – Society for the Preservation of Natural History Collections (SPNHC)
- “The Ethics of Doing Nothing” J. Ashley-Smith (2018)
- “Madness to not stay safe around Mercury” – V. Purewal (2013)
- Why Preserve Film? (Skip preface and read Pages 1-4):
- Understanding Film and How It Decays (pages 8-10, 13-18)
- Storage (pages 59-64)
- Suitability of Storage Environments for Film
- AIC Preventive Care – Wiki
- AIC Code of Ethics
Recommended:
- Agents of Deterioration
- Storage Techniques for Art, Science, and History (STASH)
- “Mitigation of Pollutants in the Museum Environment” – P. Hatchfield (2002)
- “Mercury Exposure in university herbarium collections” – W. B. Webber et al. (2010)
For Exploration:
- American Institute for Conservation – What is Conservation?
- Condition Reporting guide by Alaska State Museum Conservator, Ellen Carrlee
- Library of Congress: Care, Handling, and Storage of Motion Picture Film
- FilmCare.org
- The Association of Moving Image Archivists
- Canadian Conservation Institute – Caring for audio, video, and data recording media
Quiz
Log into our course shell in Canvas and go to ‘Quizzes’ on the left side menu.
Take ‘Quiz 8’: Preventive Conservation. You will have up to three attempts to match the vocabulary and definitions. Click over to Canvas to take quiz 8.
Meet Up
Time to get together! This is optional but highly encouraged. We will meet via Zoom at 12:30 pm (AKST) on Friday March 10. The link to the session can be found in this Google Document (you must be part of the class to view the document). If you are unable to join the meeting will be recorded and you will be expected to review the recording prior to writing your discussion post (see below).
Assignment – Discussion
Consider the different ways you might stabilize and preserve a pair of objects – a Russian muzzleloader found in Southeast Alaska vs. a lynx donated by a local trapper; a historic film on 8mm vs. a group of stone tools found along a riverbank in the Brooks Range; or a fireweed plant collected in a Southcentral field vs. a northern pike collected in a local lake. Think about which various agents of deterioration might affect them most dramatically, and what steps you can take to protect them. Find resources online that might provide guidance.
- Create a new post on this website and answer this question based on your personal experience. Your post should be roughly 500 words and should include an image. Think about reading and video material from this week and personal experiences you have had to help illustrate your ideas.
- At the end of your post, include a question for your fellow students to answer.
- Respond to each others’ posts (you will need to respond to/comment on at least two other posts).
- Select “8. Preventive Conservation” from the list of discussion categories on the right hand side of your posting window on the dashboard.
Looking Forward
Reading / Video content
Required:
VIDEO
Preventive Conservation – Guidelines for Collections (1:34)
IMLS Connecting to Collections – A Call to Action (4:22)
CCI – Monitoring Your Environment (5:33)
Sustainable Management of Collection Environments – IPI’s Perspective (3:13)
MOMA’s Race to Preserve Classic Films’ Sights and Sounds (5:03)
The Living Archive – Preservation Challenge (6:43)
Preserving Old Audio and Video Formats (8:09)
READING
- Museum Registration Methods 5th Edition “Chapter 5G: Preventive Care” (2010)
- “A Preventive Conservation Approach to the Storage of Collections” – C. Rose and C. Hawks (1995)
- “Guidelines for the Care of Natural History Collections” – Society for the Preservation of Natural History Collections (SPNHC)
- “The Ethics of Doing Nothing” J. Ashley-Smith (2018)
- “Madness to not stay safe around Mercury” – V. Purewal (2013)
- Why Preserve Film? (Skip preface and read Pages 1-4):
- Understanding Film and How It Decays (pages 8-10, 13-18)
- Storage (pages 59-64)
- Suitability of Storage Environments for Film
- AIC Preventive Care – Wiki
- AIC Code of Ethics
Recommended:
- Agents of Deterioration
- Storage Techniques for Art, Science, and History (STASH)
- “Mitigation of Pollutants in the Museum Environment” – P. Hatchfield (2002)
- “Mercury Exposure in university herbarium collections” – W. B. Webber et al. (2010)
For Exploration:
- American Institute for Conservation – What is Conservation?
- Condition Reporting guide by Alaska State Museum Conservator, Ellen Carrlee
- Library of Congress: Care, Handling, and Storage of Motion Picture Film
- FilmCare.org
- The Association of Moving Image Archivists
- Canadian Conservation Institute – Caring for audio, video, and data recording media
Quiz
Log into our course shell in Canvas and go to ‘Quizzes’ on the left side menu.
Take ‘Quiz 8’: Preventive Conservation. You will have up to three attempts to match the vocabulary and definitions. Click over to Canvas to take quiz 8.
Meet Up
Time to get together! This is optional but highly encouraged. We will meet via Zoom at 12:30 pm (AKST) on Friday March 10. The link to the session can be found in this Google Document (you must be part of the class to view the document). If you are unable to join the meeting will be recorded and you will be expected to review the recording prior to writing your discussion post (see below).
Assignment – Discussion
Consider the different ways you might stabilize and preserve a pair of objects – a Russian muzzleloader found in Southeast Alaska vs. a lynx donated by a local trapper; a historic film on 8mm vs. a group of stone tools found along a riverbank in the Brooks Range; or a fireweed plant collected in a Southcentral field vs. a northern pike collected in a local lake. Think about which various agents of deterioration might affect them most dramatically, and what steps you can take to protect them. Find resources online that might provide guidance.
- Create a new post on this website and answer this question based on your personal experience. Your post should be roughly 500 words and should include an image. Think about reading and video material from this week and personal experiences you have had to help illustrate your ideas.
- At the end of your post, include a question for your fellow students to answer.
- Respond to each others’ posts (you will need to respond to/comment on at least two other posts).
- Select “8. Preventive Conservation” from the list of discussion categories on the right hand side of your posting window on the dashboard.
Next week we’ll look at data in museums – the creation, preservation, management, and sharing of data.
Did you know?
Fun tidbit not to be tested on.
The Linnaeus Garden in Uppsala, Sweden, founded in 1655, is Sweden’s oldest botanic garden. Following its near total destruction in the 1702 great Uppsala fire, Carl Linnaeus transformed it into one of the foremost gardens in the world. His home, adjacent to the gardens, holds collections that illustrate the pioneering work of the early scientist. — Source
Fun tidbit not to be tested on.
The Linnaeus Garden in Uppsala, Sweden, founded in 1655, is Sweden’s oldest botanic garden. Following its near total destruction in the 1702 great Uppsala fire, Carl Linnaeus transformed it into one of the foremost gardens in the world. His home, adjacent to the gardens, holds collections that illustrate the pioneering work of the early scientist. — Source